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Dudgeon only takes the case because he's been assured by contacts within the mob that they're not really interested in the guy, but soon enough bodies start to drop, and Dudgeon finds himself waist-deep in a scanadal involving blackmail, hookers and organized crime that may reach as far as Washington. Dudgeon's an eye from the old school, a definite and intentional throwback, partial to booze, tobacco and a fair amount of rude wit. The writing is tough and muscular and the big-shouldered, blue-collar prose style recalls nobody so much as Loren Estleman or Rob Kantner. And he does his homework. The FBI website has a page that talks about how they work with writers to achieve "an accurate portrayal of the Bureau." They name two non-fiction books and one novel: Sean's Big City, Bad Blood. Check him out. THE LATEST
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