Telling Lies for Fun and Profit
Lawrence Block Writes (and Writes) About Writing
Some writers write. Some writers write about writing. But Lawrence Block does both. And he's damn good at both. No wonder I still hate him.
Like many a starting writer, I tried to figure out how to write by reading books and amgazines about writing. Some were helpful. A good many, however, were next to useless. And not all of those were written by obscure writers you'd never heard of.
But Block is a true rarity -- his real work is as good as it gets, and his books about writing are just as good: clever, pointed and witty, hitting just the right spot between muscular and casual, delving into not just getting those words on paper but what to do once you get them there, as he relates his own adventures and misadventures in the publishing jungle. In fact, they're all just so damn enjoyable you may almost forget that hollow feeling in your stomach that says you'll probably never ever be as good as this guy.
* * * * *
Block's first foray into writing about writing was way back in 1958, when Block was a college student and working at a slightly dubious New York "literary agency," plowing through the slush pile. He sent off a diatribe against awkward verbs and unweildy adverbs in dialogue tags, entitled "Gloomily Asserted Smith."
The article was eventually published in something called Author and Journalist, and was possibly his first sale of a non-fiction piece.
Seventeen years later, after a long, slow climb up the charts, learning all the way, Block became the fiction columnist for Writer's Digest, and held that position for fourteen years, from 1976 to 1990, and even ran a seminar called "Write for Your Life" for writers with his wife Lynn for several years.
Block -- ever the publishing entrepreneur -- has seen to it that the books have all been more or less available in one form or the other for year, regularly reprinted and occasionally updated and revised.
That's a lot of writing about writing. By now Block has written more about writing than some writers have written, period
ESSAYS & COLUMNS
BOOKS ABOUT WRITING
The first of what would turn out to be a long string of books. Regularly reprinted, and eventually updated in 2015 to include digital publishing, but this one remains a stone cold classic, timeless and absolutely essential.
A collection of Block's columns from Writer's Digest, one of the very best books on fiction writing ever written. Sue Grafton, no slouch herself, says it "should be a permanent part of every writer's library."
Perhaps the most cockeyed genesis of all Block's books on writing, this one was a self-published book about his own "Write for Your Life" seminars he and his wife Lynn presented for several years, which in turn were inspired by his previous books on writing which were based on his columns from Writer's Digest, but still contains a hefty serving of writing advice, although Block now feels the original version was perhaps a little too "Gee Whiz" for more modern sensibilities. So he revised it in 2014, and gave it a new subtitle: "The Home Seminar for Writers." But the original still contains a wealth of useful advice, wry asides and pointed examples.
Picks up where Telling Lies for Fun and Profit left off, offering tips on increasing your creativity, setting up a place to write and tons of other insights.
Anyone interested in writing, crime fiction or Lawrence Block would do well to check out this jigsaw puzzle memoir, consisting of assorted introductions and afterwords from the countless re-issues and collections over a long, distinguished and still thriving and throbbing career. Not a formal memoir, perhaps, but a cheeky, spunky and fascinating look at the works.
More essays on writing, gleaned from the author's fourteen-year run as fiction writing columnist at Writer's Digest.
Even more columns from Block's run as a columnist for Writer's Digest, plus an illustrated biography of the author, including rare photos and never-before-seen documents from the authorís personal collection.
An updated and revised version of the original, still packing oner helluva punch. Gee whiz.
Long awaited update of 1978 classic, dragged kicking and screaming into the digital age. But Block, still one of publishing's shrewdest tacticians for decades, holds true to his original thesis, that every novel is different, and so is every novelist; his aim is to give you the tools to enable you to find your own way. Absolutely essential.
ALSO OF INTEREST TO WRITERS
Anyone interested in writing, crime fiction or Lawrence Block would do well to check out this jigsaw puzzle memoir, consisting of assorted introductions and afterwords from the countless re-issues and collections over a long, distinguished and still thriving and throbbing career. Not a formal memoir, perhaps, but a cheeky, spunky look under the lid at the works.
Block does it again, cobbling together a book out of bits and pieces of other books. His previous instant book, Afterthoughts, cleverly rounded up the introductions he'd written for his own books; this one rounds up the articles, essays and introductions he's written over the years for other people's books. It makes for a fascinating and entertaining account one man's take on crime fiction over the years. Witty, provocative, cranky and affectionate, it's a cheeky and rollicking read not to be missed, as Block pays tribute to, among others, Chandler, Hammett, Westlake, McBain, Gar Haywood, Spillane and Gorman. And some cat called Poe.
List respectfully compiled by Kevin Burton Smith.
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