Authors and Creators
Jonathan Latimer
(1906-1983)
Born in Chicago, Illinois, Jonathan Latimer was educated in
Arizona and Illinois. He worked as a reporter at the Chicago Herald
Examiner for a few years before he started writing fiction. His
first book, 1935's Headed For a Hearse, was one of the
first hardboiled screwball comedies, following closely on the
heels of the previous year's The Thin Man by Dashiell
Hammett. Like Hammett's Nick and Nora, Latimer's
Bill Crane was a booze-soaked,
seemingly-inept detective who somehow always managed, despite
always being either drunk or hung over, to crack the case, despite
the ponderous and copious intake of a variety of intoxicating
substances.
Crane appeared in five novels in all. Latimer published at
least one more classic, 1941's Solomon's Vineyard, a true
hardboiled classic, and pretty hot stuff, evidently, at least
in the eyes of the protectors of American decency. Gone are the
goofy, good-natured gin-swilling dicks of the Bill Crane series.
Instead we have private eye Karl Craven
in a tale of "murder, violence, perverse sexuality and twisted
religion in a corrupt Midwestern town (that) echoes Hammett...and
anticipates the work of both Ross Macdonald
and Mickey Spillane," according to William DeAndrea,
in his introduction to the first uncensored American edition of
the book (in 1988! More than forty years after it had been published
in Britain!)
By the late thirties, Latimer had begun working as a screenwriter,
a profession he continued for several decades. He worked on the
Charlie Chan and Lone
Wolf series, as well as classics such as The
Glass Key and The Big Clock. In the sixties he
moved on to television, and became a major contributor to the
Perry Mason series.
NOVELS
- Headed for a Hearse (1935; Bill Crane)
- The Lady in the Morgue (1935; Bill
Crane)
- Murder in the Madhouse (1935; AKA. The Westland Case; Bill Crane)
- The Search for My Great-Uncle's Head (1937; as Peter Coffin)
- The Dead Don't Care (Doubleday, 1938; Bill
Crane)
- Red Gardenias (1939; AKA Some Dames Are Deadly; Bill
Crane)
- Dark Memory (Doubleday, 1940)
- Solomon's Vineyard (1941; AKA The Fifth Grave; Karl
Craven)
- Sinners and Shrouds (1955)
- Black is the Fashion for Dying (1959; AKA The Mink-Lined
Coffin)
FILM
- THE WESTLAND CASE
(1937, Universal)
..
- THE LADY IN THE
MORGUE
(1938, Universal)
..
- THE LAST WARNING
(1938, Universal)
.
- THE LONE WORLD
SPY HUNT
(1939)
.
- PHANTOM RAIDERS
(1940, with William R. Lipman)
.
- A NIGHT IN NEW ORLEANS
(1941)
.
- TOPPER RETURNS
(1941, with Gordon Douglas and Paul Gerard Smith)
.
- THE GLASS
KEY ..Buy
this video
(1942, Paramount)
Based on the novel by Dashiell Hammett
Screenplay by Jonathan
Latimer
Directed by Stuart Heisler
Starring Alan Ladd as ED
BEAUMONT
.
- WHISTLING IN DIXIE
(1942, with Nat Perrin and others)
.
- NOCTURNE
(1946, with Frank Fenton, Rowland Brown and Joan Harrison)
.
- THEY WON'T BELIEVE ME
(1946, with Gordon McDonnell)
.
- THE BIG CLOCK
(1947, with Harold Goldman)
Based on the novel by Kenneth
Fearing
.
- BEYOND GLORY
(1948, with Charles Marquis Warren and William Wister Haines)
.
- THE NIGHT HAS A THOUSAND EYES
(1948, with Barré Lyndon)
.
- SEALED VERDICT
(1948)
.
- ALIAS NICK BEAL
(1949, with Mindret Lord)
.
- COPPER CANYON
(1950, with Richard English)
.
- THE REDHEAD AND THE COWBOY
(1950, with Liam O'Brien and Charles Marquis Warren)
.
- SUBMARINE COMMAND
(1951)
.
- BOTANY BAY
(1953)
.
- PLUNDER OF THE SUN
(1953, Warner Brothers)
Based on the P.I. novel by
David Dodge
Directed by John Farrow
Screenplay by Jonathan Latimer
Starring Glenn Ford as AL COLBY
.
- BACK FROM ETERNITY
(1956, with Richard Carroll)
.
- THE UNHOLY WIFE
(1957, with William Durkee)
.
- THE WHOLE TRUTH
(1958)
.
- Also supposedly worked on screenplays for the LONE WOLF
and CHARLIE CHAN film series.
TELEVISION
- CHARLIE CHAN
.
- THE LONE WOLF
.
- PERRY MASON
(1960-65, the actual show ran from 1957 to 1966)
.
- COLUMBO: THE GREENHOUSE JUNGLE
(1972, NBC)
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