Authors and Creators
Dashiell Hammett
Also wrote as Peter Collinson, Daghull Hammett, Samuel Dashiell, Mary Jane Hammett
(1894-1961)

"Hammett gave murder back to the kind of people that commit it for reasons."
--Raymond Chandler

"I've been as bad an influence on American literature as anyone I can think of."
-- Dashiell Hammett

Dashiell Hammett was born in St. Mary's County, Maryland, on May 27th, 1894, and died January 10, 1961, in New York, New York. In between, he was one of the seminal creators in detective fiction. As if creating Sam Spade in The Maltese Falcon wasn't enough, he was also responsible for The Continental Op and The Thin Man , the novel that introduced husband and wife sleuths Nick and Nora Charles to the world, and became the basis for a string of popular movies. His name appeared in the credits to Brad Runyon, The Fat Man, and other radio shows featuring his characters, and alongside Alex Raymond's, for the private eye/spy daily comic strip Secret Agent X-9.

He grew up on the streets of Philadelphia and Baltimore. He became a detective in 1915 when he joined the Baltimore branch of the Pinkerton National Detective Agency, housed in the Continental Building. You see, Hammett not only talked the talk, but he also walked the walk. He actually was a private detective. He learned the detective racket from James Wright, a short, squat, tough-talking operative, whom Hammett came to idolize (and who would later supposedly serve as the inspiration for The Continental Op). And detecting was no easy racket. Years later, Lillian Hellman, Hammett's friend and lover, wrote of "the bad cuts on his legs and the indentations in his head from being scrappy with criminals."

Hammett left the Pinkertons in 1918, and enlisted in the Army, but tuberculosis contracted while in service prompted his medical discharge less than a year later. In fact, Hammett suffered from poor health, including bouts of tuberculosis and alcoholism, for the rest of his life. He eventually rejoined the Pinks, and worked out of their San Francisco office. In fact, somewhere out there is an account of some of the more peculiar cases Hammett was involved in while he was a Pinkerton Op, including his confession that he knew a man who once stole a ferris wheel. However, the piece doesn't mention the murder of labour organizer Frank Little in the mining town of Butte, Montana, where Hammett was employed as a strike breaker, during a particularly brutal mining strike. The rumour is that the Pinkerton men may have played a part in Little's murder, and that it was this incident that hastened Hammett's departure from Pinkerton's, and possibly helped crystalize his left-leaning views (which later got him into so much trouble with McCarthy and his pals in the 1950's).

By 1922 , Hammett was a fledgling professional writer in San Francisco, publishing his first short story, "The Parthian Shot," in the October 1922 issue of The Smart Set, and shortly after, "The Road Home" in the December 1922 issue of a relatively new pulp mag, Black Mask. His third Black Mask-published story, "Arson Plus," in the October 1, 1923 issue, introduced his ground-breaking character, The Continental Op -- the nameless operative of the Continental Detective Agency (possibly based on James Wright).

Hammett may not have been the first to write about a hardboiled private eye, but, as our pal Jim Doherty notes:

Carroll John Daly was undoubtedly first to publish a short story featuring a hard-boiled sleuth who defines his profession as a private detective ("Three-Gun Terry" in the May 15, 1923 issue of Black Mask), beating the first Op story, "Arson Plus" into print by a few months... But there's no reason to suppose that Hammett would never have created the Op had not Daly created Mack . In fact, it's possible the two stories were being written simultaneously. Daly, being a less careful writer, may have simply beat Hammett to the mailbox.

On the other hand, there's plenty of reason to suppose that Chandler wouldn't have created Marlowe, Macdonald wouldn't have created Archer, Nebel wouldn't have created Donahue, etc., etc., etc., had Hammett not first created the Op.

In other words, while Daly was undeniably first, Hammett was far more influential.

Encouraged by Black Mask's new editor, Captain Joseph Shaw, Hammett became one of the true stars of that pivotal pulp. Hammett's Continental Op eventually appeared in over three dozen stories, some of which formed the basis for the novels Red Harvest and The Dain Curse, were both published in 1929.

Hammett's best-known, and arguably best novel, however, was The Maltese Falcon, featuring Sam Spade in 1930). Of course, a big part of the novel's popularity can be traced to the classic film that was adapted from it in 1941, directed by John Huston, and starring Humphrey Bogart as Spade. The Glass Key (featuring the gangster Ned Beaumont, 1931), and The Thin Man (with Nick and Nora Charles, 1934) were also best sellers; and both went on to become successful films; in fact, a whole string of films, in The Thin Man's case.

But by 1934, he had published The Thin Man, Hammett's career as a writer was almost over. He had met Lillian Hellman, a script reader with ambitions to be a playwright, the previous autumn, and they would soon embark on a long, tumultous relationship, full of high drama and cocktails, politics and art. alas, very little of the art was Hammett's. He never wrote another novel, and he wrote few short stories. Always looking for money, he took a whack at something new: a comic strip, Secret Agent X-9, but only lasted a year. He wrote a few things for radio, or at least lent his nasme to them. Thanks to the success of the film versions of his work, his reputation preceded him in Hollywood, and he wrote a handful of screen stories. He also became quite involved in Hellman's work, acting as a sounding board, at least, and possibly a co-writer, even.

In 1942, swept with patriotic fever, Hammett enlisted in the American Army (he was forty-eight at the time!). Lillian and he had always been active in leftist politics, lending their names to various causes, but with the end of WWII, the political pendulum had swung the other way. In 1951, Hammett was called to testify in the trial of four communists accused of conspiring against the U.S. government. He declined, and went to prison for five months, despite his failing health. He was fifty-seven at the time. Hellman herself was eventually hauled before HUAC, and ordered to testify, to name names. Likewise defiant, she let loose with a powerful speech condemning the entire process, and the senators backed down.

Dashiell Hammett died on January 10, 1961.

He may never never written anything of true significance after 1934 (or at least, nothing close to the magnificense of his earlier work), but the myth of the private eye turned writer lives on. In the seventies, Joe Gores, another San Francisco private eye turned writer, wrote Hammett, a fictitious account of Hammett chucking the writing gig and going after a friend's killer. It was as much a loving tribute as it was a fictionalized biography, and was probably as true as fiction can get. It was eventually also made into a pretty good film.

Raymond Chandler described Hammet's writing style in The Simple Art of Murder:

"Hammett wrote... for people with a sharp, aggressive attitude to life. They were not afraid of the seamy side of things; they lived there. Violence did not dismay them; it was right down their street. Hammett gave murder back to the kind of people that commit it for reasons, not just to provide a corpse ... He put these people down on paper as they were, and he made them talk and think in the language they customarily used for these purposes. "

Or, as Ross Macdonald put it, in a a MWA Anthology in 1952,

"We all came out from under Hammett's black mask."

UNDER OATH

SHORT STORIES

NOVELS

COLLECTIONS

NON-FICTION ARTICLES

POETRY
(The mind boggles!)

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FILMS

SCREEN STORIES
Subsequent to the success of MGM's The Thin Man in 1934, the studio hired Hammett to write screen stories, which would be adapted and turned into screenplays by other writers.

RADIO

TELEVISION

COMICS

COMICS COLLECTIONS

OPERA
(No, really!)

REFERENCE
Arranged chronologically

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WORLD-WIDE HAMMETT: RELATED LINKS

Respectfully submitted by Kevin Burton Smith. Thanks to James Stephenson for a lot of the info on this page. Be sure to check out his Hard Boiled Maryland, a great web site focussing on four of Maryland's native sons, James M. Cain, Hammett, George Pelecanos and William Lindsay Gresham. Also, thanks very much to William Denton and the Hammett Bibliography on his Rara-Avis site for helping me plug the holes.


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