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An eye's career may span more than one decade. Likewise, an eye may make his or her first appearance and then not make much of an impact or hit their stride for several years. So, the following eyes are listed by the year of their first appearance, although their best may be years later. They're counted for their quality, entertainment value, reflection of their times, influence on the genre and whether I liked them or not.

By the way, this list is very much a work in progress...Feel free to contradict me, or suggest your own favourites, by contacting me.

The Twenties
Let There Be Light: The Real Deal

The Thirties
The Pulps and Beyond

The Forties
Apres la guerre

The Fifties
Under the Hammer

The Sixties
Feel It

The Seventies
The Renaissance Part I: Everyone Into the Pool

The Eighties
The Renaissance Part II: Come On In, The Water's Fine

The eighties are when I really became interested in private eye fiction, and I'll probably always have a weakness for the era. It was certainly an exciting time for the genre, particularly the series P.I. There were so many great series launched in the seventies that were just really hitting their stride about then. Pronzini, Parker, Block, Hansen and the like had already demonstrated there were plenty of new ways to use the genre, and in their wake (and perhaps at least partly inspired by them, or at least by Parker's commercial success) a whole bunch of new voices (Grafton, Paretsky, Mosley, Burke, et al) entered the genre in the early eighties. In retrospect, I can see that when the slew of non-pale males and other fresh voices began to pop up all over the genre, it was not so much a big shake-up as a logical progression to what had been going on in the seventies (and arguably, the sixties as well).

Of course, some of the other older writers (and older fans whose sole qualification for a P.I. was seemingly whether they could imagine Bogart playing them in a film or not) began to resent the success of Parker and some of these other uppity newcomers who were tinkering with the form. But the genre would probably be a quaint museum piece by now, appreciated only by collector geeks, or relegated to the men's action racks (over there by the skin mags), if it hadn't seen such a vigorous renewal and growth spurt in the late seventies/early eighties.

The Nineties
Sisters (and Everyone Else, It Seems) Are Doing It For Themselves

The Oh-Ohs

The Oh-Teens


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