Travis McGee
Created by John D. MacDonald

Salvage consultant. Recoverer of misplaced goods. Ladies' man. Cynical knight errant. Colourful TRAVIS MCGEE docks his yacht, The Busted Flush, a 52-foot barge type houseboat with twin diesels, at the Fort Lauderdale marina, and takes his retirement on the installment plan. It's all financed by his job as a "salvage consultant." What he actually does is recover missing or stolen goods for half their value. Along the way, he invariably fixes a broken heart or two. He's big on therapeutic sex, is our boy, Trav. From his debut in 1964 with The Deep Blue Goodbye, to his final appearance in 1984's The Lonely Silver Rain, he appeared in twenty-one novels, each with a colour in the title, and remains one of the best, and most beloved private eyes of all time (even if he wasn't licensed, and at times acted more like Robin Hood than Philip Marlowe,that's what he was).

One of the more enduring myths in the P.I. genre is that there is a final McGee, A Black Border for McGee, locked away somewhere. However, despite comments made by MacDonald himself, shortly before his death, both his widow and his publisher deny that any such book exists. But the final book in the series, The Lonely Silver Rain (1984), does have a rather elegiac feel to it, as if both MacDonald and McGee knew that their time was over. As George Pelecanos has pointed out, McGee was "the embodiment of (early 60s) male wish-fulfillment." That the series lasted so long is a testament not just to McGee's character, but to MacDonald's ability to tell a story, and captivate an audience.

Although the books sold like hotcakes, inexplicably, they were never really translated successfully into another medium. A 1970 theatrical release, Darker Than Amber, featuring the suitably-chunky Rod Taylor as McGee, was disappointing. Taylor wasn't bad in the role, but the acting in the flick is so wooden you could get splinters in your eyes watching it too closely. Nice location shots, though, and the bad guy was genuinely creepy. And a 1983 made-for-TV film (and pilot for a potential series) was just wrong, wrong, wrong. Somnolent Magnum P.I./Marlboro Man-lookalike Sam Elliot wasn't even a half-good choice to play McGee, even if he could wake up. A series was never developed from this sorry mess. Thank god.

The McGee series did, however, gave birth to a whole sub-genre of detective fiction -- the Florida adventurer. MacDonald's concerns over the ecological rape of Florida and his disgust for the greedy, corrupt forces that are drive it are reflected in Geoffrey Norman's Morgan Hunt, James Hall's Thorn, John Lutz's Carver and Carl Hiassen's crazed desparadoes and lost rescuers. It's there that the true spirit of MacDonald's tarnished, shambling beach bum knight lives on.

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Respectfully submitted by Kevin Burton Smith. Thanks to Bluefox808 for the multiple words to the wise. And Tom Malone for having sharper eyes than me. The first Plymouth's on me, guys.


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