Harry Moseby
Created by Alan Sharp

"Ain't it funny how the night moves, When you just don't seem to have that much to lose?"
- Bob Seger, who claims he'd never heard of the film when he wrote the hit song. Yeah, right, Bob...

One of the great private eye flicks of all time, unfortunately overlooked these days. But it's a classic piece of modern-day film noir, boasting some of the best work of both director Arthur Penn and actor Gene Hackman. Hackman plays HARRY MOSEBY, a former running back for the Oakland Raiders, working as a small-time private eye in LA.

Poor Harry. He's an emotional cripple, a doomed figure doggedly throwing himself into his work. He'd rather solve other people's problems than his own. To escape the pressures of the disintegration of his own marriage, he takes on a wandering daughter job for a former starlet. Turns out that Delly is a trashy little teen sexpot (Melanie Griffith in her first -- and arguably best -- role), just like dear old mom, and Harry's not doing anyone any favors hauling her back to LA from the Florida Keys.

And that's just the beginning, as Harry (and the audience) soon discover that finding the answer to one question only opens up more questions in this dark, wonderfully complex film full of moral ambiguous twists and turns and some wonderful performances, including a sexually charged encounter between the lonely Harry and Jennifer Warren, a woman living in tropic squalor in the Keys with a man dealing in some very strange goods indeed..

"Everybody's doomed...empty vessels searching for something to fill them up...," rhapsodizes Barry Gifford in The Devil Thumbs a Ride, "Everyone's behaviour is shameful, low-rent. Penn succeeds in not giving us one likable character. If that ain't noir, what is?"

A classic, well worth staying up to watch on the late show. And look for Max Gail, Jr. (Barney Miller) and Dennis Dugan (Richie Brockelman!) in small parts.

UNDER OATH

THE EVIDENCE

TRIVIA

FILM

NOVELIZATIONS

Respectfully submitted by Kevin Burton Smith.


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