"Nick Chambers, the detective you turn to when you can't afford anyone else."
Nick was created, appropriately enough, "over cocktails" by a bunch of writers as a writing exercise in which they could all take part. They came up with a "noir-style anti-hero, with a decidedly post-modern nihilistic outlook that borders on misanthropic."
They figured out his backstory, agreed on what makes him tick and defined his current situation, and then established two unbreakable rules that all the writers would have to follow.
They evidently had a lot of fun with it, and they even eventually wrote a few stories, which were collected in Fog City Noicturne (2006), which boasted the sub-title: "One Detective -- Six Authors."
The stories intentionally stick pretty close to the formula; Nick's appropriately hard-boiled and down on his luck, struggling to eke out a living on the "cold, dark, fog shrouded streets" of post-WWII (and suitably corrupt) San Francisco. Need I mention the fedora and trenchcoat?
Still, they do promise a "post-modern twist."
But give B.J. West, the local digital artist and writer who edited and apparently shepherded the project to fruition, his props for sticking to his guns. Not only did he write two of the seven stories in the book, but he cajoled his mother and his father into each coughing up a tale. He was also the man behind the camera for The Smiling Man, a 45-minute film shot entirely in San Francisco. The story is based on the story of the same name by Keoni Chavez in the collection, and stars Chris Hudak as Nick. It also features the author himself and several other members of the Bay Area Writer's Group.
Respectfully submitted by Kevin Burton Smith.
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