Joe Peters
Created by Richard Landau and Geoffrey Homes (pseud. of Daniel Mainwaring)

In Roadblock (1951), a nifty little noir full of robbery, murder, sexual obsession and a bunch of other neat stuff, JOE PETERS (Charlers McGraw), a Los Angeles-based insurance investigaor becomes involved with Diane Marley, a "hot little number" who he figures is just another gold-digger. But he doesn't care. So he sets up a scam involving stolen furs and a bunch of used money on its way to being destroyed. But it's all to no avail. Things go wrong, and people get killed, and iIn true noir fashion, he discovers that she would be content with him just the way he is. But it's too late for her, and too late for him. Especially when Joe's partner, Harry Miller turns up, urging him to give himself up.

This stylish little B-flick is like a role call from the glory days of noir. Nic Musuraca's cinematography and Albert S. D'Agostino's art direction graced classics such as Out of the Past, Cat People and The Spiral Staircase; crime writer Geoffrey Homes (aka Daniel Mainwaring) penned the original story, and Steve Fisher (I Wake Up Screaming) brought it to the screen, and editor Robert Golden went on to cut The Night of the Hunter. And hey, Milburn Stone (Doc in TV's Gumsmoke) even has a small role here as a detective.

FILM

• ROADBLOCK
  (1951, RKO)
  73 minutes, black & white
  Based on a story by Richard Landau and Geoffrey Home
  Screenplay by Steve fisher and George Bricker
  Directed by Harold Daniels
  Cinematography by Nicholas Musuraca
  Art Direction by Albert S. D'Agostino, Walter E. Keller
  Film Editing by Robert Golden
  Original music by Paul Sawtell
  Produced by Lewis J. Rachmil
  Starring Charles McGraw as JOE PETER
  Joseph Krehan as Harry Miller
  and Joan Dixon as Diane
  Also starring Lowell Gilmore, Louis Jean Heydt, Milburn Stone, Peter Brocco, Barry Brooks, John Butler, Ben Cameron, Jean Dean, Richard Irving, Harold Landon, Martha Mears, Phyllis Planchard, Steve Roberts, Dewey Robinson

Respectfully submitted by Kevin Burton Smith.