Harry Dobbs & Stella Wynkowski
Created by Alan Rudolph
"The one who is in love always waits. It's the lover's signature."
-- Stella offers Harry a bit of wisdom, gleaned from The Love Manual
Tom Berenger is HARRY DOBBS, a wonderfully befuddled and rumpled, but earnest private eye with a jealous girlfriend who's hired by a mysterious femme fatale, Miss Dolan, to tail her possibly two-timing husband, in writer/director Alan Rudolph's Love at Large (1990). It's a quirky, intriguing look at the tangled and random nature of love, told in a gentle Valentine to hard-boiled and noir detective films that takes place in a time that never really existed, where sultry cigarette-smoking dames talk the talk in smoky 1940's nightclubs and rub up against post-ironic been-there-done-that 1990's folks while jets fly over head.
But Harry's girlfriend doesn't trust him, so she hires a detective of her own, the cynical STELLA WYNKOWSKI (Elizabeth Perkins), who's got a few love problems of her own. And then things get really complicated, all in the name of love. Connections are missed, conclusions are jumped to, and hearts are let loose in an an increasingly confusing mess of bigamy, deception and that old stand-by, murder. Love at large, indeed.
This is one of my favorite films: the acting is first-rate, and even as the characters flail around, their hearts on their sleeves, looking for love in all the wrong faces while relationships crash and burn, Rudolph allows us to believe that maybe, sometimes, despite it all, one day we may get it right, or at least have fun looking for it -- if we don't take it too seriously. There's not a lot of rolling on the floor laughs here, but a constant buzz of amusement and recognition. Think of it as a screwball comedy for your head, instead of your gut. And the music's great, too, scored by Mark Isham, and features such boss tunes as "Ain't No Cure For Love" by Leonard Cohen and "Searching For A Heart" by Warren Zevon.
-- Larry Crawford, The Internet Movie Database
-- Harry finally gets it.
Includes performances from Warren Zevon, Leonard Cohen, Grady Walker, Tarwater and Anne Archer.
Roger didn't really like it, but mostly for the same reasons I loved it. Go figure...
Rudolph had another whack at the romance/P.I. genre, with Emily Watson as a gum-snapping, malapropism-spouting P.I. wannabe, with decidedly mixed results.
Report respectfully submitted by Kevin Burton Smith.
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