Checkmate
Don Corey, Jed Sills, Chris
Devlin and Dr. Carl Hyatt
Created by Eric Ambler
In
Checkmate, a fondly-remembered television show from the
early 60's, DON COREY and JED SILLS run a very fancy,
very expensive San Francisco detective agency whose aim is "to
thwart crime and checkmate death (by) stopping the slide downhill
to tradgedy."
Don is the senior partner, handsome and experienced. His relationship with Jed, his younger, at times clumsy partner, is one of teacher/student. Aiding the duo was former Oxford criminalogist DR. CARL HYATT, a rotund, bearded professor and handwriting expert who studies ransom notes, death threats, and other evidence for clues to suspects' personality and intended moves. In the last season, another detective, CHRIS DEVLIN, was added to the team.
The show featured very little gunplay and tended to be a bit more cerebral than most. The boys usually called in the cops to make an arrest.
Checkmate was the Tiffany of detective shows in its day. Produced at Revue, the television production arm of Universal Studios, it had a "name" guest star policy that mirrored that of two other high-profile Revue productions of the day, Wagon Train and GE Theatre. And "name" often meant "BIG NAME!" Even by today's standards, Checkmate boasted some honest-to-Norma Desmond MOVIE stars: Charles Laughton, Joan Fontaine, Peter Lorre, Lee Marvin as well as a passel of once and future Oscar winners ranging from Patricia Neal and Mary Astor to Jane Wyman and Martin Landau. Performers like Claire Bloom, who have done virtually no series television before or since, appeared. Checkmate also indulged in stunt casting: Cyd Charisse as a dancer, Tony Randall as a killer, Sid Caesar as a disc jockey, and Jack Benny as a much-revered entertainer not unlike . . . Jack Benny. Scripts were written around the guest stars, exploring their characters' reactions to the death threats. In the second season, in particular, social issues and character studies were larger elements of the story. Dick Berg, who took over as line producer late in the first season must have sensed that a simple death threat of the week setup by itself could be weak. The second season also brought in younger directors, a number of whom (William A. Graham, Elliott Silverstein) were also working in New York on Naked City at the same time.
A number of top mystery writers contributed scripts and/or story outlines, including Helen Nielsen, Leigh Brackett, Jonathan Latimer, William P. McGivern, and Leonard Heideman. Story editor for much of the run was Dorothy Hechtlinger. Several of the first season episodes carry no producer credits.
Since creator Eric Ambler's partner in the production company, JaMCo, was his wife, Joan Harrison, and since she was the producer of Alfred Hitchcock Presents at the same time, one must wonder if she did some uncredited producing on Checkmate?
The episodes date somewhat in attitudes, but then the series is almost fifty years old, and the generally high level of production holds up. Even when you can figure out the ending of an episode, it's still an enjoyable view. The memorable opening sequence, featuring throbbing, swirling black, white, and grey liquid shapes was ahead of its time, a percursor to the light shows that would become a standard of 60s rock concerts. The theme music was provided by one "Johnny" Williams, who later went on to minor success with Star Wars, E.T., Jaws and the Boston Pops. He also scored every episode of the first season. The background music for his episodes was usually soft and subtle, tuneful but neither loud nor heavy. According to Jon Burlingame's book on television scoring, Television's Greatest Hits, Williams only scored about four episodes for the second season; the slack was taken up by a number of fine composers, including Mort Stevens and Pete Rugolo. Cinematography was polished, with a lot of day for night shots, duties being rotated among a variety of Revue regulars -- including John F. Warren and Lionel Lindon, who also worked on Hitchcock and Johnny Staccato (as well as such classic films noir as The Blue Dahlia).
Overall, a most enjoyable show to watch.
There was even a Gold Key comic book tie-in, but it only lasted a couple of issues. Then again, the first issue appeared just a month before the show itself was canned.
TELEVISION
1st season...Buy the Best of Checkmate: Season One on DVD
- "Death Runs Wild" (September 17, 1960)
- "Interrupted Honeymoon" (September 9, 1960)
- "The Cyanide Touch" (October 10, 1960)
- "Lady on the Brink" (October 15, 1960)
- "Face in the Window" (October 22, 1960)
- "Runaway" (October 29, 1960)
- "The Dark Divide" (November 5, 1960)
- "Deadly Shadow" (November 12, 1960)
- "Target: Tycoon" (November 19, 1960; AKA "Kill or be Killed")
- "Moment of Truth" (November 26, 1960)
- "Mask of Vengeance" (December 12, 1960)
- "The Murder Game" (December 17, 1960)
- "Princess in the Tower" (December 31, 1960)
- "Terror from the East" (January 7, 1961)
- "The Human Touch" (January 14, 1961)
- "Hour of Execution" (January 21, 1961)
- "Don't Believe a Word She Says" (January 28, 1961)
- "Laugh 'til I Die" (February 4, 1961)
- "Between Two Guns" (February 11, 1961)
- "A Matter of Conscience" (February 18, 1961)
- "Melody for Murder" (February 25, 1961)
- "Phantom Lover" (March 4, 1961)
- "The Gift" (March 11, 1961)
- "One for the Book" (March 18, 1961)
- "The Paper Killer" (March 25, 1961)
- "Jungle Castle" (April 1, 1961)
- "The Deadly Silence" (April 8, 1961)
- "Goodbye, Griff" (April 15, 1961)
- "Dance of Death" (April 22, 1961)
- "Voyage into Fear" (May 6, 1961)
- "Tight as a Drum" (May 13, 1961)
- "Death by Design" (May 20, 1961)
- "The Thrill Seeker" (May 27, 1961)
- "Hot Wind in a Cold Town" (June 10, 1961)
- "A Slight Touch of Venom" (June 17, 1961)
- "State of Shock" (June 24, 1961)
.- 2nd season
- "Portrait of a Man Running" (October 4, 1961)
- "The Button-Down Break" (October 11, 1961)
- "The Heat of Passion" (October 18, 1961)
- "Waiting for Jocko" (October 25, 1961)
- "Through a Dark Glass" (November 1, 1961)
- "Juan Morenoís Body" (November 8, 1961)
- "Kill the Sound" (November 11, 1961)
- "The Crimson Pool" (November 22, 1961)
- "The Two of Us" (November 29, 1961)
- "Nice Guys Finish Last" (December 13, 1961)
- "To the Best of My Recollection" (December 27, 1961)
- "A Funny Thing Happened to Me on the Way to the Game" (January 3, 1962)
- "The Star System" (January 10, 1962)
- "The Renaissance of Gussie Hill" (January 17, 1962)
- "Ride a Wild Horse" (January 24, 1962)
- "The Yacht Club Gang" (January 31, 1962)
- "Death Beyond Recall" (February 7, 1962)
- "The Sound of Nervous Laughter" (February 14, 1962)
- "An Assassin Arrives, Andante" (February 21, 1962)
- "Remembrance of Crimes Past" (February , 1962)
- "The Heart is a Handout" (March 7, 1962)
- "A Brooding Fixation" (March 14, 1962; AKA "Shades of Hamlet")
- "A Chant of Silence" (March 21, 1962)
- "Trial by Midnight" (March 28, 1962)
- "So Beats My Plastic Heart" (April 11, 1962)
- "In a Foreign Quarter" (April 18, 1962)
- "Referendum for Murder" (April 25, 1962)
- "The Someday Man" (May 2, 1962)
- "Rendezvous in Washington" (May 9, 1962)
- "The Bold and the Tough" (May 16, 1962)
- "Will the Real Killer Please Stand Up?" (May 23, 1962)
- "Down the Gardenia Path" (June 6, 1962)
- "Side by Side" (June 20, 1962)
COMIC BOOKS
- "Double Profit Plot" (October 1962 , #1)
"Poison Pen Pals" (October 1962 , #1)- (December 1962, #2)
Profile by Ted Fitzgerald, with a additional info from Kevin Burton Smith.
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