Fritz Brown
Created by James Ellroy
Self-proclaimed crime fiction
enfant terrible. James Ellroy's
one and only private eye novel to date features morally-ambiguous,
Beethoven-loving Los Angeles disgraced ex-cop and low-rent slacker
private detective FRITZ BROWN. Fritz admits he wasn't perhaps
Los Angeles' finest police officer. In fact, he admits he was
"an uneasy, malcontented one at first, until the booze came
along and made the low-level administration of power exciting
beyond my wildest fantasies." But alcohol and a power trip
made an unhealthy mixture, and Fritz began fucking up. Transferred
to Vice, he went too far. He took a baseball bat to a known child
molester, breaking both legs, unaware the molester just happened
to be a favored informant of the Narcotics Division. Fritz was
asked to leave the force. Since then he's been on and off the
wagon, doing repo work, serving papers, not exactly setting the
world on fire, but not starving, either. Then this obese caddy
named "Fat Dog" walks in with a proposition. Seems he's
worried about his daughter...
Following the success (albeit more critical than commercial) of the film version of Ellroy's L.A. Confidential (1997), Brown's Requiem went before the cameras, as an appropriately low-budget independent offering directed by Jason Freedlands, and starring Michael Rooker (Henry Portrait of a Serial Killer, The Replacement Killers) as Fritz. Nothing spectacular, it's a loose, shambling affair whose ultimate poitlessness may, after all, be the point. Certainly many viewers appreciated the flick for its down-scale but fresh take on neo-noir sensibility, and some strong performances by Barry Newman, Brad Dourif and particularly 23 year-old William Sasso as Fat Dog. Valerie Perrine even makes a cameo. The biggest change was probably Freedlands yanking the musical sub-text, which probably makes sense, given Ellroy's later death-to-subtlety approach.
Then again, Brown's Requiem was Ellroy's first book. He hasn't written another private investigator novel since, although he's dabbled in the genre, in the form of short stories, most notably with forties private eye Spade Hearns and 1950's scandal sheet editor Danny Getchell.
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Respectfully submitted by Kevin Burton Smith.
