The Cheaper the Crook

The Crime Films of Elisha Cook Jr.

"... noir's most valuable supporting player."

-- Jake Hinkson in Noir Goon Squad

"I played rats, pimps, informers, hopheads and communists... I didn't have the privilege of reading scripts. Guys called me up and said, 'You're going to work tomorrow.' "

-- Cook recalls the life of a character actor

From his first memorable appearance in The Maltese Falcon as Wilmer, the hapless diminutive gunsel who Bogey constantly thwarts, Elisha Cook, Jr. went on to star in a long line of distinguished hardboiled, noir and detective films, even eventually, reprising the role of Wilmer in The Black Bird in 1975.

He usually played a loser of some sort, and at five-foot-two, with those big, buggy eyes and voice that sounded like he'd spent his entire childhood getting punched in the throat, life did not usually treat the characters he played kindly.

You saw Elisha in a film, you knew he wouldn't be the one walking into the sunset with the girl as the closing credits roll... in fact there was always a pretty good chance the "funny little guy" wouldn't be walking at all, having been achieved permanent room temperature a reel or two earlier.

But he sure had a long run...

  • Stranger on the Third Floor (1940, RKO)

A thin nasty slice of German Expressionism, this 63-minute film is considered by many to be the "first true film noir." Cook plays a hack falsely accused of murder.

Poor Wilmer. One of the all-time great supporting bits in one of the all-time great P.I. flicks, he plays the hapless gunsel. You almost feel sorry for the little weasel. So young, so doomed.

  • I Wake Up Screaming (1942, 20th Century-Fox)

  • Phantom Lady (1944, Universal)

  • Dillinger (1945)

  • The Big Sleep (1946, Warner Brothers)

Cook plays Harry Jones, that "funny little guy" who is forced to drink poison and does so -- in the name of love, no less. While Marlowe watches.

  • The Falcon's Alibi (1946, RKO)

  • Born To Kill (1947, RKO)

  • Fall Guy (1947, Monogram)

  • The Gangster (1947, King Brothers)

  • I, the Jury (1953, Parklane Productions)

  • Shane (1953)

Okay, it's a Western. But in oh so many ways, it's a crime film. And yes, the poor little guy gets blown away again.

  • The Killing (1956, Harris-Kubrick)

Another memorable performance (and, arguably, his finest), in Stanley Kubrick's first film -- a taut thriller about a racetrack heist. Ah, the things we do for love.

  • Baby Face Nelson (1957, Fryman-ZS)

  • Plunder Road (1957, Regal Films)
    Guest-starred in the episode entitled "Solomon," broadcast February 11, 1960.

  • The Outfit (1973, MGM)

Based on one of Richard Stark's Parker novels.

Through it all, Cook continued to work. When the noir cycle ended, and television became the new game in town, Cook began to appear on the small screen, in everything from Wagon Train and Gunsmoke to Batman and Star Trek. But he also popped in plenty of guest spots and cameos in such crime and detective shows as:

Guest-starred in the episode entitled "Solomon," broadcast February 11, 1960.

  • Thriller (1960-62, CBS)
    Anthology series
    67 60-minute episodes
    Host: Boris Karloff

  • "The Fatal Impulse" (November 29, 1960)
    Based on a story by John D. MacDonald

Cook has a small bit as a killer attempting to flee a botched assassination who slips a small bomb into the bag of a woman in an office building elevator. The police try to find her before the bomb goes off.

  • The Fugitive (1963-67)

  • The Man From U.N.C.L.E. (1964-68)

  • Mannix (1967-75, CBS)
  • "The Green Man" (October 20, 1974)

Cook plays Herbie, a counterfeiter on the run from almopst everyone.

Guest-starred and later had recurring role as "Ice Pick."

RELATED LINKS

In this great blog post, Jake Hinson calls Cook noir's "most valuable supporting player..." I concur.

List respectfully compiled by Kevin Burton Smith.


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