Created by Laura Lippman
"That's what I do, I write novels about women..."
-- Lippman in 2014 interview
Hot shot Baltimore reporter TESS MONAGHAN suddenly finds herself out of work, when the newspaper she works for, The Baltimore Star, keels over and dies. Suddenly unemployed, Tess will take almost anything to pay the rent, including acting as a private eye, if that's what it takes. Evidently, that is what it takes, since by the time of her third novel-length adventure, she's become an official licensed private eye, complete with an office in a not-so-nice address in Baltimore.
Tess is a great character, a tough-minded but human investigator; determined to live life on her own terms. And thanks to her passion for rowing, she's not someone who's willing to be pushed around. The series has garnered some very good press, and a loyal fan base. The Baltimore setting adds a special flavor, not to mention enough murder to keep things hopping, and the dialogue just crackles. Recommended. Highly.
Author Laura Lippman, a former feature writer for the The Baltimore Sun, has written numerous novels about Tess Monaghan and has won several awards -- including the Edgar, the Anthony, the Agatha, the Shamus and the Nero Wolfe -- she cheerfully admits she "may have even deserved one or two of them, but probably not." Just to hedge her bets, she's also taken up a lucrative sideline lately: writing standalones (Every Secret Thing, To the Power of Three, After I'm Gone and What the Dead Know) that are, if anything, even better than the Tess books, focussing even more sharply on "women's issues" -- a conscious reaction to the male-dominated fiction that fellow writers, such as George Pelecanos, Dennis Lehane and Richard Price, were doing at the time.
But Lippman has never backed away from a challenge. She may, in fact, be one of the ballsiest P.I. writers around. "The Girl in the Green Raincoat," the most recent story featuring Tess, first serialized in The New York Times Magazine in 2008-09, had Tess bravely going where few P.I. writers have gone before -- into childbirth.
Tess has always been, at least for me, the weird, messed up kid sister I never had. Loyal to a fault, opinionated, funny, clumsy and alternately endearing and enfuriating, honourable and sly, high-minded idealist and teller of fart jokes, it seems only natural that eventually she’d end up unexpectedly pregnant, despite all the precautions.
Whether the birth of a child meant Tess would be hanging up her gumshoes for good seemed a good question at the time, but the possibilities were certainly intriguing. You big tough, steely-eyed gents want gritty realism? Forget back alleys, femmes fatale and automatic weapons -- try to take on talk of diaphrams and daycare.
The most recent spotting? Lippman's 2014 standalone, After I'm Gone, featured Crow and Tess (and daughter) in several cameos. Seems they're all doing fine, and Lippman has promised that Tess will soon return.
The author lives and works in Baltimore and New Orleans, with her husband, David Simon, creator of TV's The Wire, Homicide: A Life on the Streets and Treme. As Lippman herself explains, she wanted to be hard-boiled but, to paraphrase Jessica Rabbit, she just wasn't drawn that way.
Expanded, revised edition of novella first serialized in The New York Times Magazine.
SHORT STORIES & NOVELLAS
A rock-solid collection from Tess' creator, featuring a couple of Tess stories, an "exclusive interview" of Tess by Lippman, and a hefty selection of some of the most dark, twisted and imaginative crime short stories being written today. Today Baltimore, tomorrow the world.
Respectfully submitted by Kevin Burton Smith.
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